Seth Sanders’ central thesis is that the Bible, from the viewpoint of political theory and linguistic anthropology, is a powerfully innovative text. The Bible’s power resides in its mode of address, which is politically creative in the foundational sense: it calls into being an autonomous polity that spans time and space. Its law, ritual, and exhortation address a collective “you” and create that “you” in so doing. The privileging of a mode of address in which deity constitutes a “you” that spans time and space was a radically innovative act in blatant opposition to the genres of power of the empires of its day.
On this understanding, the Bible was and is a post-colonial project of massive proportions. It allowed and allows those who place themselves under its authority – I choose my words carefully; they are not identical to those of Sanders – to constitute themselves as an autonomous polity, with the wherewithal to recast, dissent from, and re-establish on new foundations the scope and limits of political actors both within and without.
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