Classical Judaism, in a process that began before and continued beyond the Greco-Roman period, came to possess not one but several sets of authoritative writings. The Tanakh, a heterogeneous corpus of narrative, law, prophecy, hymnody, lament, wisdom, love lyrics, and comedy, often referred to today as the Hebrew Bible, is the primal Jewish canon. The textualization of components of its components dates in large part to the 8th-6th cent. BCE, at which time prior text constituted legal, narrative, parenetic, didactic, and liturgical precedent to be reframed and recast and subverted by subsequent textual contributions to a series of heterogeneous rolling corpora. In the early period, the existence of authoritative text set in motion an open process. As Bernard Levinson has remarked, if the text as canon is understood in light of its inner compositional dynamic, “[i]t invites innovation, it challenges piety, it questions priority, it sanctifies subversion, it warrants difference, and it embeds critique” (“The Canon as Sponsor of Innovation,” in Legal Revision and Religious Renewal in Ancient Israel [Cambridge: Cambridge University Press, 2008] 89-94; 94). To be sure, one might equally remark that it invites preservation, it promotes piety, it revitalizes precedent, it sanctifies "inveramento" or radicalization, it warrants systemization, it embeds coherence. The inner dynamic of the history of composition of biblical literature is omnidirectional.
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